4. Painting Skin/Pupils
The basic painting flow starts with layer 1, which will be each part’s base, and then I make a [Clip at Layer Below] layer 2 to add multiple layers of colors.
Additionally, layers set to frequently used blending modes such as [Add(Glow)] and [Screen] are made above ②.
Note:
Selecting [Clip at Layer Below] will make the clipped layer reference the layer directly below it, and restrict the drawing area of the clipped layer.
For details, please see the following TIPS.
I use the [Brush] tool > [Watercolor] > [Opaque Watercolor] sub tool. The [Opaque Watercolor] properties are shown below. Minor adjustments are made depending on the part.
[1] Painting skin
- Female character
① I flattened the skin base color in the previous lesson.
② I block the shadows with opaque watercolor.
③ I smooth uneven parts with [Blend] tool > [Blur] sub tool.
Leaving unevenness adds a watercolor-like taste to the image, but I decided to smooth them as the girl’s face doesn’t have many prominent features.
④ I add shadows of the hair.
⑤ I add cute blushes to the cheeks.
*Male character
While the flow is identical, his features cast deeper shadows.
I always struggle when balancing shadow density to not make them too dark. Add some color and gloss to the lips to make him beautiful!
I tweaked the outlines of the skin as well.
I turn on [Lock Transparent Pixel] in the [Layer] palette, and then set the line color to light brown.
After duplicating the layer, I change the lower (source) layer blending mode to [Multiply].
I turn off [Lock Transparent Pixel], and apply [Filter] menu > [Blur] > [Blur (strong)] effect 2-4 times.
You can see that the lines are even more softer and lighter.
[2] Painting eyes
- Female character
① The eye base color flatted in the previous lesson.
② I block in the shadows.
③ I draw fine shadows using a brush and pencil.
④ The eye outlines stand out too much, so I make changes using the airbrush.
For parts touching skin such as the corners, I blend it with the skin.
⑤ On the skin layer, I paint the eye whites in white with opaque watercolor.
⑥ I draw eye shadows on the multiply layer.
⑦ I add highlights on a layer with the blend mode set to [Add(Glow)]. I kind of like this step.
⑧ Using [Add (Glow)], I add soft light to darker parts of the eye.
I think that it is prettier to use different colors for the iris and the rest of the eye. I also correct leftover lines from step 4 with an eraser.
*Male character
The flow is identical. However, while the girl’s irises were drawn larger in a cute style, for the male character I decided to draw the irises smaller for a more sharper, masculine image. (Although in my mind, he’s actually a wimp...)
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