Presentation

Hello!!, welcome to this new TIPS, on this occasion I will present the concepts to master vector layers. These can be used for a wide number of ways, such as maintaining the resolution of a lineart, drawing backgrounds in a simple way, making stickers, reusing resources, etc. Today we will learn about them. Without more to say…

 

Let's get started!!

1. What is a vector layer?

Vectors are geometric representations that are built by mathematical formulas. Given their nature, vector layers allow us to manipulate the lines at will without losing quality in the process, something that normal layers (raster) do not.

 

I recommend using vector layers to have exceptional line management in the early stages of an illustration.

 

• TYPES OF LAYERS

 

In CLIP STUDIO PAINT we will find two types of layers: raster layer and vector layer. Normally, we use the raster layer for the normal illustration process; It has all the functions and tools of the program to use, but, on the other hand, the vector layer is limited, there are functions and tools that cannot be used in it.

• RASTER LAYER

 

In these layers we can use the tools: line creation functions, coloring, adding filters, etc. It is the layer in which we can always draw, paint and process. But in terms of how it works, it turns out that a raster layer is made up of a set of invisible points (bitmap) that we normally know as pixels that are contained in a table. These points contain one or more values that describe their color.

 

The canvas would look like the following if the bitmap were visible:

What does this mean? Well, it implies that we fill the pixels and this brings with it a weakness, that is, when we scale the image with the "Transform" tool in any of its variants (transform mesh, skew, etc.) it loses quality, suffers a loss of information called distortion, becomes blurred, pixelated.

 

Let's see with the bee below, when we increase its size with respect to the original stroke the line loses clarity. This is why these layers are recommended for inking and post-production of the illustrations.

• VECTOR LAYER

 

On the other hand, the vector layer does not have this weakness, no matter how much we scale the image, it does not lose quality, but it also has its defects; In it you cannot use all the tools or fusions of the program as in the previous one, but we can make a mixture between both layers, use the vector layer for lineart and the raster layers for inking.

The lines of a vector layer record the trajectory and pressure, which means that the program makes the calculations that make it possible for the images to not lose quality regardless of their scale.

 

The points that can be seen when you hover the cursor with the "Object" tool over the lines are called "Control Points", with them we can modify the information of the line (I will explain about this later).

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► Create vector layers

In the layer window we will find three important options:

 

1. New raster layer

2. New vector layer

3. New layers folder

 

These layer functions will help us maintain order in the work process.

Note: When we create a new canvas, a raster layer appears by default.

There are three ways to create vector layers.

 

① First method: After creating a new canvas we will go to the following path: Layer (L) > New layer > Vector layer.

② Second method: This is the easiest way to open a new vector layer; We have to click on the second icon, the one with a cube in its center in the "Layer" palette.

This icon will always indicate that it is a vector layer. You will see it appear in the layer thumbnail.

③ Third method: We will go to the three stripes that are at the top left of the "Layer" palette. When you click, a menu will appear where we will follow the following path: New layer > Vector layer.

 

This form will show us a window that will allow us to choose the expression color and a combination mode, in addition to naming it before creating it.

2. Vector Eraser

• HOW DOES IT WORK?

 

There are three ways to use the eraser. The vector rubber is found in the "Rubber" subtools and is named "Vector".

NOTE: If we erase with another eraser other than the vector one and that does not have the "Vector eraser" box activated (explained in the following note), what will actually happen will be another transparent vector line placed to hide that part.

With the vector eraser this does not happen, as seen in the GIF below, the vector eraser creates an empty space and divides the line into new independent segments.

NOTE 2: Although there is specifically the vector eraser, if we look at the properties of the other erasers we will find that they all have a section called "Vector eraser" that allows us to use the same functions as those of the vector eraser; To activate it you just have to enable the box; With it we can make any eraser work as a vector eraser, this means that another vector will not be created when erasing as explained above.

If this setting does not appear in the eraser properties, we will go to the wrench located at the bottom right of the tool properties. A window will appear, from there we will go to the "Eraser" section and activate the "Vector Eraser" function eye. We can add this setting to the other drafts in the same way. Done, now we can use any eraser as a vector eraser.

In the “Tool Properties” window of the vector eraser we will find three functions:

① Standard Eraser: This function converts the vector eraser as if it were a normal eraser.

② Delete until intersection: This, on the other hand, deletes the line that touches until the intersection with another line. This is the most interesting function of the three because it allows us to do many things, but we will see specific examples later.

③ Delete complete line: With this function we can delete a complete line, even if there are other lines intervening in it.

• WHAT CAN WE DO WITH THE VECTOR DRAFT?

 

By having the vector eraser we have the advantage of not being so precise when drawing the lines, that is, leaving longer lines on the edge of the building and then erasing them quickly. It is not easy to be precise so we can get away, so the rubber will help us. But in general any unnecessary line can be erased very easily.

With the vector eraser we can erase even the smallest line to have a clean job.

Another way to create cities is to only use 2D illustrations and couple them to a sketch of a city with one or more vanishing points. Furthermore, this is a technique that does not require a graphics tablet in the least, the tools themselves used in the process have the wonderful feature that they automatically stabilize the lines to make them straight and without shaking.

 

A while ago I made a tutorial on how to make a futuristic city using this method, I leave the entry below:

3. Manipulate lines (Line correction)

With the “Line Correction” subtool it allows us to modify the lines of the vector layers. Although this is not the only way to edit lines, it is undoubtedly the most used.

 

To get to these settings we will go to the icon with an arrow pointing to a node in the tools palette.

Another way to access it is by clicking on the second (Control Point), third (Pinch Line) or fourth (Modify Line Width) icon in the “Tool Navigation” section in the “Layer Property” palette, which are the shortcuts for these functions found in the line correction subtools.

NOTE: If you do not have the “Layer Property” palette open on your desktop, you can open it in the following path: Window > Layer Property. Then you can dock it behind the layer window like I have it, or somewhere else.

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► Checkpoint

The vectors in CLIP STUDIO PAINT are made up of control points, the function of this section precisely allows us to control them. By selecting this tool we can see in the "Tool Property" window a series of options to modify the control points.

Below I will explain each of them:

 

• MOVE CHECKPOINT

 

This is the easiest of all, as it allows us to move the control points of the stroke.

• ADD CHECKPOINT

 

By clicking on an empty segment of the line, a control point will be added.

• DELETE CHECKPOINT

 

This function, on the other hand, removes,checkpoints; By clicking on the point you want to delete, it will disappear. When we make a stroke with the brushes, many control points are created in the lines. To eliminate some of them we use this setting, but try not to delete too many because the original shape of the line can be lost.

• CONVERT VERTEX

 

With this we can change the curve from a line to a straight line or vice versa. Useful for giving lines a rough or smooth style.

• MODIFY LINE WIDTH

 

If we click and hold and drag the cursor to the left over a control point, the width of the line becomes thin, while, on the other hand, dragging it to the right makes it thick.

• ADJUST OPACITY

 

Dragging the cursor to the left over a control point causes its opacity to become lower, while dragging to the right makes the opacity higher (if it had been previously lowered at that point).

• CUT LINE

 

By clicking on a control point we can separate it from the continuous line to which it belongs.

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► Pinch line

The pinch line function allows us to drag a line as if we were lifting it with clamps.

In the tool properties we will find three sections to modify the clamp, below is an explanation of them:

 

• SET END

 

Within this menu we find three options:

 

① Fix both ends: Holds both ends in their initial position while dragging the center.

② Fix 1 end: Holds one end in its initial position while lifting the other end.

③ Release both ends: Move both ends at the same time.

• CLAMP REGULATION

 

This function adjusts the curvature of the gripper as you move the line. It has five levels, the first gives us a small area, the higher it goes the area increases.

• RANGE OF EFFECT

 

On the other hand, this function regulates the size of the clamped area.

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► Simplify line

The following “Simplify Line” tool transforms the lines in the vector layer into simpler lines.

This tool has three functions.

 

① Simplify: Selected lines lose control points, causing the figure to be simplified. By displaying the menu we can adjust the details of the simplification by activating and deactivating "Smooth the corner" which, as its name indicates, gives a smoothing to the corners and "Process entire line", on the other hand, applies the effects to the entire line and Furthermore, if we have this option active it allows us to access a new "Convert curve" function that helps us give other shapes to the line already drawn.

 

Simplify has five levels, the first removes practically no control points, while the highest removes a huge amount.

 

② Delete the shortest line: With it we can delete lines that have a length less than a specific length. For example, if we set the tool to 50 px it will delete lines that have a maximum length of 50 px.

 

③ Brush Size: Adjust the brush size.

NOTE: The higher the “Simplify” value is, the more control points will be eliminated, which can lead us to lose the original shape as we see at the end of the GIF above.

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► Connect line

An easy function: connect two drawn lines.

As in the previous one, this tool has three functions.

 

① Simplify: Selected lines lose control points, causing the figure to be simplified. By displaying the menu we can adjust the details of the simplification by activating and deactivating "Smooth the corner" which, as its name indicates, gives a smoothing to the corners and "Process entire line", on the other hand, applies the effects to the entire line and In addition, if we have this option active it allows us to access a new "Convert curve" function that helps us give other shapes to the line already drawn.

 

② Connect lines: This setting must be activated, otherwise it will not be possible to connect the lines. Additionally, we can specify the distance between the lines that it can detect.

 

③ Brush Size: Adjust the brush size.

 

Example 1: To connect two separate lines we have to raise the percentage of the “Connect line” bar. as seen in the GIF below.

Example 2: To connect two nearby lines we have to lower the percentage of the "Connect line" bar. Thus we reduce the number of lines by grouping them for faster handling with the "Object" tool that we will see later.

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► Modify line width

Increases and decreases the thickness of the line. Each of these adjustments has a percentage bar with which we can measure the amount of change in the lines.

• INCREASE/REDUCE WIDTH

 

Increases or decreases the width of the line based on the given length of the line outline. With this adjustment the tip of the line can be rounded.

• SCALE WIDTH

 

Increases or decreases the width of the line based on the given length of the line outline. With this setting the tip of the line cannot be rounded.

• REPAIR WIDTH

 

Adjusts the line depending on the width specified in the option by rounding both corners.

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► Reduce line

Redraws the already made vector lines.

This function has the options: ① Set end ② Connect lines ③ Simplify. Furthermore, the functions of this setting are the same as those explained above.

4. Manipulate lines (Operation > Object)

Unlike the previous point, where the tool and its multiple options allowed us to correct the line, now the "Object" tool allows us to control the lines.

 

To access it we must go to the following route: In the "Tool" palette we choose Operation > Object.

Another way to access it is from the layer properties, as mentioned in the line correction section. In this case, the icon is the first one in the “Tool Navigation”.

When you click on a line, the control points and a bounding box will appear that will allow us to access the modification options that we will see below.

 

First of all we must learn that the most basic thing we can do with the object tool: is to move precisely the selected object, dragging it will move it to the indicated place or move the control points as in the "Move control point" function.

In the subtool properties we will find the following settings that will allow us to:

But first, to be able to use it we have to have the "Vector" option active in the "Selectable Object" drop-down menu.

• MAIN COLOR

 

Changes the color of the selected line.

TIP 1: To select several lines and thus be able to change their color quickly, you must hold down the SHIFT key while selecting the other lines with the cursor. This method of selecting lines is time-consuming, but useful when we want to select only certain lines, but if what we want is to select everything, the following trick is indicated.

 

NOTE: With the “Connect line” setting we can join them so as not to have to select so many separate lines, as shown in the example in that section.

TRICK 2: This method for selecting multiple lines is the easiest to use. To do this we will go to the properties of the "Object" tool, once there we will display the menu: "Operation of the transparent part", in the options that appear we will activate "Select the dragged area" and we will indicate "Object" in the options to be enabled.

 

Ready, we now have an effective way to save time activated. Every time you click and drag the cursor using the "Object" tool a bounding box will be created, all the lines that are inside this box will be selected automatically. This way we avoid selecting one by one manually.

• BRUSH SIZE

 

Changes the width of the selected line. This function can be used to fix the line of a smaller or larger scaled figure.

It often happens that when scaling a shape the lines look wider or thinner in proportion to the size. To improve it we can use this brush size adjustment, after scaling the figure we select the line or lines and lower or increase its size. Doing this every time we scale can be tedious, so next let's look at another, easier method for maintaining line proportion.

Another way to maintain the proportion of the line in an easier way than the previous one is while we have the object in the process of transforming, in the "Object Tool Properties" palette we will find the option "Change vector width" this will help us to maintain the proportion of the line, because if we do not have this option activated when reducing the scale the lines will be wider and the shape will be lost or if we increase the scale the line will become increasingly thinner. But with this active action the line maintains an appropriate width with respect to the scale.

 

If we leave this option active whenever we scale the line, it will have a proportion according to the scale, this way we will not need to always use the previous method, only in specific cases.

• BRUSH SHAPE

 

Change the brush pattern after the line is painted. With this setting we can easily change the textures of the lines.

The program comes with some pre-established shapes, but if we want to add our brushes what we have to do is select a brush from the brushes palette, then we will go to the wrench that is located at the bottom right of the «Tool Property» palette. », when we click, a window will appear where we will go to the «Brush shape» setting, once there we will click on the «Register as preset» option. Ready, we now have a new brush to change the shape of the line.

• MODE

 

Within the mode we find the same options as the “Transform” and “Line Correction” tools (seen previously), these are: Manipulate the bounding boxes and control points, scale (increase)/ scale (decrease)/ rotate, transform free.

 

The “Adjust line thickness when scaling” option will help the line maintain a width proportion to the original to avoid some lines being wider than others.

5. What tools can we use in vector layers?

► We cannot use

In vector layers we cannot use all the tools, and some functions are exclusive to vector layers, such as those mentioned in the previous sections. Some tools that we cannot use are:

 

➜ Filters

➜ Mix Colors/ Blur

➜ Fill Tools

➜ Block transparent pixels

➜ Gradients

➜ Tonal corrections

 

NOTE: All functions or settings of the tools mentioned cannot be used in vector layers.

As you can see in the GIF below, with the cursor I move and open the menus of the tools mentioned, but they appear deactivated, an indication that they cannot be used. To use them we would have to use a raster layer.

➜ Snap to bottom layer and then snap it to bottom layer

 

If we create a vector layer, later we draw something and finally we create a new vector layer above it and adjust it to the lower layer, when we want to couple it with the lower one, the normal cropping effect will be lost, since what was hidden until then will appear instead of disappearing when attached to the lower layer as normally happens. This may be due to a fusion problem. So I don't recommend flattening vector layers, it's better to group them in a folder and use them separately.

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► If we can use

Now let's see what tools we can use. All of the tool functions or settings mentioned below can be used in vector layers.

 

➜ Figure tool

 

NOTE: The fill functions of this tool cannot be used. If we have these options active, when we render the figure in its vector layer, only the outline will appear, the filling will be non-existent. As you can notice, within the vector layers this function appears disabled, an indication that they cannot be used.

➜ Curve tools

➜ Selection

➜ Rubber

➜ Blend

➜ Rules

➜ Blending Modes

➜ Opacity

➜ Transform

➜ Refer to multiple layers

➜ Layer mask

➜ Aforementioned vector tools (Fix Line, Object, Eraser).

➜ Speech balloons

➜ Vignettes

 

Although we can use the brushes, they have some points to consider, let's see what they are:

 

➜ Brushes

 

Certainly, we can use several brushes, but it must be emphasized that not all of them, some are not available, and also the texture they give us can only be seen and modified in a vector layer within CLIP STUDIO PAINT because when we want to export it in format SVG to use the vector in another program we will lose that information, only the line will remain. Furthermore, by not being able to mix the colors we will encounter another difficulty if we want to do something more than comfortably control the lineart.

 

Another point to keep in mind is that since you cannot use mixing tools, we will not be able to match the colors very well with each other in the best way. The best we can do when painting on vector layers will be abrupt results.

The reason we can use some brushes is because it is actually a line similar to a constant brush stroke. As we see in the GIF below, the colors of the bee are actually continuous lines because we can see the control points when passing the pointer, this means that we can modify them with the tools explained above.

6. Lineart con mouse

We usually think that if we don't have a graphics tablet we won't be able to make our illustrations, but that is not true. In CLIP STUDIO PAINT there are a series of tools that will allow us to use the mouse effectively.

 

• FIGURE TOOL/ BRUSHES

 

The figure tool allows us to create shapes and borders that we can implement in our lineart, the subtool that we will address in this section will be "Curve".

To use it you simply have to hold down the click and drag it to the length you want, once there we release. Semi-transparent guides will appear attached to each end of the line, these will allow us to modify its curvature.

The fundamental reason we are using this tool is because of the “Vector Magnet” setting. This allows us to connect the ends of the lines automatically without the need to use the previously seen "Connect line" function. As we see in the following GIF, the green lines made with the setting disabled are separated, while the roses are united despite being created by multiple strokes.

 

The function has five levels of strength, with the first capable of connecting extremely close lines, while the fifth can join lines with a considerable level of distance between them.

 

To make the lineart of the bear, I used, apart from the figure, the “Symmetric Ruler” tool. It works like a mirror, what is drawn on one side is reflected symmetrically in the coordinate opposite to the center of the location of the ruler.

NOTE: The other line, curve and brush tools can have this function active, to add it to the other tools what we have to do is go to the wrench located at the bottom right of the palette "Tool properties" When you click, a window will appear in which we will go to the "Correction" section, once there we will enable the "Vector magnet" option by clicking on the eye icon. Ready, we can now make different strokes, for example with the G pen, but make sure they all remain united.

Clarifications: You cannot join lines that are created with different brushes or that have different colors and also, you cannot join two lines that have different levels of softness.

To make a lineart with a mouse, I would advise you to first make your sketch on paper, then take a photo or paint it and then import it into CLIP STUDIO PAINT.

 

When I already had my paper illustration imported on a layer, I lowered the opacity of the layer and then created a new vector layer above the sketch. I started by making the lineart with the curve tool and the “Vector Magnet” setting active.

 

Once I had the complete lineart, I modified the width of the line and corrected some errors by moving the control points using the tools explained in previous sections. The final result is the following:

7. Create a Vector Fill Brush

As we already saw, we cannot use the fill tool and the brushes within the vector layers are often not efficient to give color, but that is not a problem because we can create our own fill brush. It should be noted that this brush is only useful for giving simple colors, rough lights and shadows, ideal for flat illustrations or similar. If you want more realistic finishes, it is essential to use raster layers for color.

 

Let's see the steps:

 

① First, in the brush sub tool window, there we will click on the three lines that are in the upper left.

 

② In the menu that appears we will choose the option «Create custom sub tool»

③ In the window that appears we can choose the name, I will name it "Vector Fill". Now I will explain the important settings to create the brush:

 

1. In the checkout process we will choose the option: "Create sandwich."

2. In the entry process we will choose: «Continuous curve».

3. In the tool icon we will choose: "Speech Bubble".

 

As an extra, we can choose a color for the icon by activating the "Icon background color" box. The color box will be activated where we can choose it.

④ Immediately after accepting, the “Sub tool details” window will appear. In the left menu we will move to the "Create sandwich" option. Here we will choose in the "Line/fill" section "Create fill" and we will make the palette visible by clicking on the first box of the options, we will also make the "Add" palette visible.

Ready. We already have our brush, now...

 

• HOW DO WE USE IT?

 

First, within the tool properties we will activate the “Create new layer” option. This way new layers will be created automatically. This will help us to have an order, but if you wish you can keep the "Add to selected layer" option which will allow you to fill everything on the same layer. Now, on a layer below the lineart we will delimit the area that we want to fill.

 

NOTE: The layers that will be created are of the Speech Bubble (text) type.

Well, using the method of keeping the color layers below the lineart we will begin to fill.

As I mentioned at the beginning, the layer created will be vector, so we can modify the filling as explained in previous sections.

The process is as follows: We can add shadows with the same vector fill tool and combine it with the blending modes and layer opacity for greater realism.

When we already have our vector illustration, to improve it we can add a border. To do this we will group all the layers in a folder. Now, having selected that folder, we will go to the "Layer Properties" window where we will activate "Border Effect", which is the circle icon. In the lower bar we can modify the width of the border and below it is the option to change its color.

8. Convert layer

Another thing we can do is convert vector layers into raster layers and vice versa from raster to vector, but I don't highly recommend this second one because the quality of the line is not very good.

 

• FROM VECTOR LAYER TO RASTER LAYER

 

To make the convention we will place the cursor over the vector layer that we want to transform, we will right click; A series of options will appear from which we will choose "Convert layer (H)". A window will appear where we can name the layer and change the following settings:

 

Type (K): Here we will change the vector layer to raster by displaying the menu and selecting the “Raster Layer” option.

 

In the other options we can change the “Expression Color” and “Combination Modes (Fusion)”. Finally, at the end of the options we will find a box that allows us to keep the original layer, this means that a separate raster layer will be created, leaving the vector layer intact; This can be useful to maintain the vector information for any changes you wish to make.

• FROM RASTER LAYER TO VECTOR LAYER

 

To convert to a vector layer we will follow the steps previously described to convert from vector to raster, only this time in the "Type (K)" setting we will change the option to "vector layer". After selecting "vector layer" a new setting is enabled: "Vector settings", here we can modify the line width, smoothing, correction, density threshold and determine if we want everything in black.

 

Ready. We can now use the vector properties (change line width, change color, etc.) in our illustration.

As you can see at the end of the previous GIF, the lines after converting the layer to vector look shaky, very poorly defined; This is where vector adjustments can help us improve the line a little, but in general converting a raster layer to vector does not have the best quality.

 

VECTOR SETTINGS:

 

1. Line Width: Changes the width of the line.

2. Correction (S): Simplifies the line. Vary the value to obtain various levels of simplification. The correction range varies from 1 to 20.

 

Here we have a convention with the values "Line width: 30" and "Correction: 10"

3. Export all black (B): Converts all lines to black.

4. Include White in Convention (W): White lines are included when converting the layer and become black.

 

Now we have a colorful fruit that when converted with these settings activated lost its colors, turning into pure black lines.

5. Smoothing: Softens the finish of the lines. It has four levels from: "Nothing" to "Strong."

6. Density threshold (T): This is a slightly more difficult function to use, it allows us to measure the value of the colors for the line conversion. It has a range from 1 (white) to 255 (black).

 

Let's say we have the density set to 200, when converting the program will do a comparison, the colors that have a value that is below 200 will be ignored and the colors that are above 200 will be used as a fill and the resulting line will appear at its maximum width.

Conclusion, the various settings should be varied as needed to obtain the best result from the line. Let's see in the following GIF how we convert two blocks, the first in vector settings has the smoothness at maximum, which results in a clean line when converting to a vector layer; while the second block has the smoothness set to nothing, this results in a shaky line, it also has the “Export all in black (B)” option active.

 

NOTE 1: When converting a raster layer to vector, the fills will be lost, only the contour, the line, will remain.

NOTE 2: Layers that have more than 16 colors cannot be converted.

9. Export layers as SVG

The SVG file is compatible with other programs such as Illustrator, which allows us to handle the vectors made in CLIP STUDIO PAINT in other programs. So, let's see how to export in SVG.

 

① We will select the layer; We can also select multiple layers, but these layers have to be vector.

② Then we will go to the following path: File > Export vectors. That's it, the layers will be exported as a single SVG file.

NOTE: SVG files only save the line and pressure information, but not the fills, so when you open it only the outlines of the fills will appear. Additionally, “Snack” layers cannot be exported on their own as an SVG file.

Let's also see that, for example, if we change the line motif for another brush (explained above) when we export it, only the line information will be saved.

10. Registrar material

With vector layers we can do many things, such as stickers or landscapes that we can reuse in other works. To make them easy to access, the program allows us to save them as materials that we can later upload to the cloud to use on other devices. Let's see how to do it:

 

• REGISTER MATERIAL

 

① We will select the active layer of the illustration that we want to make material, if, on the contrary, we have several layers, we will group them in a folder.

 

② We will go to the following route: Editing > Register material > Image.

③ In the window that appears we can name the material, choose the position in the Layer palette (when adding it to the canvas the layer will be ordered above or below the priority compared to the others) and choose the saving location within the same program .

 

Once the settings are established, we will accept and it will appear within the materials folder that we chose.

• UPLOAD TO THE CLOUD

 

① We will go to CLIP STUDIO (we have to access it within our account), there we will go to "Manage materials", within the options we will enter the "This device" tab.

 

② We will activate synchronization by clicking on the slider located at the bottom left of the material to be saved. Then, we will click on the cloud icon on the side. The material will be uploaded to the cloud (you can see the upload process in the “Data Transfers” Tab).

 

Ready. If we go to the "Cloud" tab we will see all the synchronized materials.

• OTHER DEVICES

 

Whether for an Android/ Galaxy/ Chromebook/ macOs/ iPad/ iPhone device, we can download the materials from the cloud. Let's see how to do it:

 

① First we will access the account where we have saved the material from the device. Afterwards, we will go to: Menu > Manage materials. Now, we will access the cloud tab, where the materials will be.

 

② We will download the materials by clicking on the cloud located at the bottom left. The material will be downloaded (you can see the download process in the tab: Menu > Data Transfers).

 

③ The materials will appear in the download folder, we can see them in the "This device" tab or in the materials within a canvas, ready to use.

Farewell

I hope that what you see in this tutorial is to your liking and that it is helpful to you, sorry for being so long. Well, without anything to say, thank you for coming this far! ପ(๑•̀ुᴗ•̀ु) ॣ৳৸ᵃᵑᵏ Ꮍ৹੫ᵎ ॣ

 

Vibrate high!!! We won't see you another time ( •⌄• ू ) ✧